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Introducing PrideLight: Our Spotlight on Theatre and Entertainment

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This week at TravelPride, we introduce PrideLight, your guide to recommended best bets in entertainment. Fall is a popular time for theatre companies to schedule season openings, so there’s a lot going on in almost every town across America, too much to cover in one pithy column. But this seems a fitting time to focus on some of the cities where foliage tours and the waning last days of outdoor amusement might take you hiking, biking, and exploring in the less urban centers. For example, Asheville and Richmond might not make the cut every week. While larger markets like San Francisco and leading LGBTQ-specific theatres will receive more consistent coverage, I’ll seek to guide you off the beaten path to seek out the best of regional and community theatre events that might not pique your curiosity at first glance.

The goal is exploration, after all.

Asheville, North Carolina

What: Carry On written and performed by Murphy Funkhouser Capps
Where: Asheville Community Theatre
When: September 29-October 1

Playwright Murphy Funkhouser Capps (great name, right?) expands on her award-winning one-act play with a new act and a fresh title. In 2007, Murphy Funkhouser Capps quit her job and hit the road with 500 pounds of luggage hooked to the back of her Subaru to take her one-act Crazy Bag on the road. The autobiographical one woman show about her journey from minister’s daughter to rebellion to redemption premiered at Colorado Theatre Festival and won numerous awards, including one recognizing Capps for her acting chops in the Festival performance and a nomination for Best Solo Performance of 2008 by the Denver Post.

Crazy Bag went on to rave reviews in Breckenridge, Aspen, Denver, Albuquerque, and Oklahoma City and was accepted into the 2008 San Francisco Fringe Festival. The journey brought her back to Asheville where her story began two decades before. Do not be repelled by the “community theatre” stigma that can sometimes haunt the small-town playhouses of middle America. This performance is a must see for those who love to discover that unexpected gem, and support original work by talented artists. The performance is one weekend only, and tickets are available at www.ashevilletheatre.org and range in price up to $50. The company website provides detailed travel and parking directions and advertises free parking after 6 pm.

What: Listen to This hosted by Tom Chalmers
Where: Asheville Community Theatre
When: October 26, November 30
What to do? You just missed Carry On at Asheville Community Theatre. If it’s a Thursday, head to the theatre for the 7:30 performance of Listen to This staged in ACT’s intimate black box space 35below every Thursday. Quickly becoming Asheville’s most popular series, actor/comedian Tom Chalmers hosts this collection of stories and songs from Asheville’s most interesting writers and performers, a fresh theme and new performers each week bring to mind a good old fashioned southern potluck. Fair warning: the show could be hit or miss depending on the featured artists chosen, but for an admission price of only $15, I’d say it’s worth the risk. The company encourages you to enjoy refreshments in the theatre but also cautions that seating is limited and punctuality a must, both for parking availability and choice seating (even for those with tickets in hand). Purchase tickets in advance at www.ashevilletheatre.org. Arrive and park earlier in the day and check out the Tom Wolfe Memorial, downtown shops, and other sites of the quaint downtown area.

Atlanta, GA

What: Atlanta Black Theatre Festival
Where: West End Performing Arts Center
When: October 4-7

A diverse lineup of artists drawn from around the globe to around the corner. The Atlanta Black Theatre Festival is “40 plays in 4 days,” hardly enough time to preserve and share the stories of the African diaspora. But whether you’re a lover of Tyler Perry, August Wilson, or world-class Black Art, the amazing shows and international vendors’ market will make this popular fall festival one of your favorite things to do in Atlanta. Don’t just pick a play; pick a DAY (or all four) and immerse yourself in a marathon of bold, exciting theatre. Produced by Micah 6:8 Media “a professional management company.”

Boston, MA

What: Faceless by Selina Fillinger
Where: Zeitgeist Stage Company at Boston Center for the Arts
When: NOW PLAYING through October 7
With especially positive reviews in The Boston Globe, Boston Phoenix, Broadway World, and Boston Arts Review for its solid performers and the visual impact of its set designs, founder and artistic director David Miller has lead this smaller fringe company in exploring contemporary plays and rediscovering historic works for 17 seasons. In Faceless, eighteen-year-old Susie Glenn is on trial for conspiring to commit acts of terrorism, and recent Harvard Law grad and practicing Muslim, Claire Fathi, has been brought on to prosecute. Though pitted against one another in the courtroom, these two young women are fighting a similar battle to defend their morals, motives and religious freedoms in this riveting and timely new drama. An explosion of identity politics, questions of faith, and a face-off between two seemingly diametrically-opposed women drives this compelling narrative.
Faceless is presented at the Plaza Black Box Theatre at the Boston Center for the Arts. Purchase tickets and peruse other upcoming Boston productions at www.bostontheatrescene.com. Tickets for Faceless are reasonably priced at $20. Count on having an intimate theatre experience in the 90-seat black box, expect thought-provoking subject matter, and enjoy excellent performances from the play’s two strong female leads.
What: Wicked Queer
Where: Boston Museum of Fine Art
When: Ongoing
While in Boston, also check in with Wicked Queer: the Boston LGBT Film Festival housed in the Museum of Fine Art, Boston. The group sponsors ongoing events and film screenings. Check the user-friendly calendar prior to your trip at www.wickedqueer.org for titles and showtimes.

Boulder, CO

What: The Revolutionists by Lauren Gunderson
Where: Boulder Ensemble Theatre Company at Dairy Arts Center
When: NOW PLAYING through October 8

You may think you know Marie Antoinette. You don’t. You may believe you can outsmart Charlotte Corday. You can’t. You may have never heard of Olympe de Gouges. You will. In this irreverent, girl-powered comedy, these women live, die, and dare boldly in revolutionary Paris.
Producing Artistic Director Stephen Weitz shared his thoughts about the programming for this season “…as things were unfolding over the last eight to 10 months, we had some internal conversations about who we wanted to be in this climate.” This season, the company has assembled the most diverse ensemble in the company’s history. For the season debut of The Revolutionists, for example, BETC assembled an all-female production staff to complement the show’s all-female cast, and a majority of the plays in their 6-show lineup are written by women or persons of color. Tickets range from $20-$45 (most tickets priced at $36.50). The $45 ticket on opening night September 16 includes admission to the post-show reception. Purchase tickets at www.thedairy.org and investigate more about BETC at www.betc.org.

Chicago, IL

What: A Perfect Arrangement
Where: Pride Films and Plays at Pride Arts Center
When: NOW PLAYING-October 22

In Topher Payne’s comedy A Perfect Arrangement, it’s 1950, and new colors are being added to the Red Scare. Two U.S. State Department employees, Bob and Norma, have been tasked with identifying sexual deviants within their ranks. There’s just one problem: Both Bob and Norma are gay, and have married each other’s partners and moved next door to each other as a carefully constructed cover. Set amidst the earliest stirrings of the American gay rights movement, madcap classic sitcom-style laughs give way to provocative drama as two “All-American” couples are forced to stare down the closet door.
This relatively new theatre company in the Chicago theatre scene is housed at Pride Arts Center. Pride Films and Plays, seeks to bring theatre to the Chicago area that is “essential viewing” for all audiences. The Huffington Post has called this, “A powerful and empowering entity.” Tickets are on sale now www.pridefilmsandplays.com.
What: The CiviliTy of Albert Cashier, music & lyrics by Joe Stevens and Keaton Wooden, book by GLAAD Award nominated writer/producer Jay Paul Deratany
Where: Stage 773 (Permoveo Productions)
When: NOW PLAYING through October 15
This new musical, set between 1862 and 1915, tells the astonishing, “timely, essential, insightful” and true story of “an amazing figure from [our]history” -The Windy City Times. In The CiviliTy of Albert Cashier, Albert Cashier is a Civil War soldier with a secret that resonates with today’s modern world. Detailing the soldier’s life fighting in more than 40 engagements during the Civil War, the musical follows Cashier through retirement and the onset of dementia, when a life-long secret was discovered: That Albert was born Jennifer Hodgers. Causing an uproar in the small southern Illinois community where Cashier lived, Cashier was prosecuted for impersonating a soldier, requiring fellow soldiers to return once again after 60 years to detail Albert’s heroism and life.
Stage 773 acts to embody the vibrant spirit of Chicago off-loop theater. The group strives to present excellent and affordable theatre and provide a foster home for emerging artists and creative groups. The theatre hosts various companies and acts throughout the year. See Bullets over Broadway or choose from a list of other current shows now playing. Tickets for The CiviliTy of Albert Cashier are $40. Visit www.stage773.org or www.theatreinchicago.com.

Dallas, TX

What: In the Tall Grass written and directed by Paul Kalburgi
Where: TeCo Theatrical Productions at Bishop Arts Center
When: NOW PLAYING through September 24
In the Tall Grass, produced in association with Transgender Education Network of Texas, follows the harrowing true story of the murder of Shade Schuler, a 22-year-old Dallas transgender woman. The community is left asking “why” and fearing who could be next. Told through the first-hand testimonies of trans women of color in Dallas, the world premiere of In the Tall Grass explores the circumstances which force many to exist in the underworld – ignored by society, cut off from support and legal systems.
TeCo Theatrical productions, an award-winning multi-cultural “oasis for the next generation” of artists, was founded in 1993. The company offers a full season of theatrical performances, jazz concerts, a speaker series, and year-round arts education programs. Tickets range in price from $12-$25 and can be purchased online at www.bishopartstheatre.org.
What: Hair: the American Tribal Love Rock Musical
Book and Lyrics by Gerome Ragni & James Rado
Music by Galt Macdermont Directed by Kevin Moriarty
Where: Dallas Theatre Center
When: September 22-October 22

Dallas Theatre Center is aptly named as it is truly the center of the Dallas Theatre Scene with a long-standing record of excellent professional entertainment. They just won a Regional Tony Award in case you missed it. If you’re a resident or frequent visitor, you already know about them. Granted, their offerings are a little more commercial, a little more mainstream, but this production is somewhat of a diversion for them and really caught my eye. People in red states are just dying to rip their clothes off, apparently. I was about to scroll on by until I saw this:

WARNING: This production will include Hippies cursing, smoking pot, getting naked, mocking societal conventions, meditating, taking LSD, flaunting their sexuality, celebrating their race, creating a happening, singing and dancing. Also, there will be audience participation. Consider yourself warned, and come to the Be-In.

Ok, so if you haven’t already seen Hair, besides just assigning you a failing grade in Musical Theatre class, I’m going to push you through the doors to see this production. Find tickets and more at www.dallastheatrecenter.org. (TravelPride is not responsible for any STDs you acquire during this performance.)

New York, NY

What: Fearless: Art in the Face of Adversity
A series of performances by LGBTQ artists
Where: The Clemente Soto Velez Cultural & Educational Center
When: Ongoing throughout 2017-18, Next event opens September 29

Artists at The Clemente created this series of works in direct response to the tragedy in Orlando and continuing attacks against the LGBTQ community. Connected by the theme of understanding and unity, these events are spread throughout The Clemente’s 2017-18 season. See Tjasa Ferme’s “The Female Role Model Project,” directed by Ana Marginaunu September 29-October 1. The artists describe it as a “scientifically enhanced multimedia-devised theatre piece built by an ensemble of female-identified artists about recreating modern female role models in the world of cataclysmic climate change, cataclysmic political change, and possibility of reprogramming our brains.” Check www.theclementecenter.org for other titles coming up in this exciting series. Admission is $15 per performance.
Since 1993 The Clemente has focused on “cultivation, presentation, and preservation” of Puerto Rican and Latino culture. Equally “determined to operate in a multi-cultural and inclusive manner,” the organization promotes artists and performance events that “fully reflect the cultural diversity of the Lower East Side and the city as a whole.”

What: Torch Song by Harvey Fierstein, Directed by Moises Kaufman
Where: Second Stage Theater at Tony Kiser Theater
When: Opens September 26

Torch Song takes place in 1979 in New York City. Arnold Beckoff is on a quest for love, purpose and family. He’s fierce in drag and fearless in crisis, and he won’t stop until he achieves the life he desires. Now, Arnold is back… And he’s here to sing you a torch song. The Tony Award-winning play that forever changed the trajectory of Broadway returns for a new generation.
Second Stage Theater produces an adventurous range of premieres, musicals, bold new interpretations of contemporary plays, and unique theatrical experiences from America’s most dynamic writers of the 21st century. Through the discovery of emerging talent, the commissioning of new work, and the creation of a training base for directors, Second Stage reflects the diverse city and the world we live in today and reaches an ever-growing audience through its Broadway runs, national tours and regional productions.
Torch Song runs 2 hours and 20 minutes including intermission. Ticket are limited and prices vary, so we recommend contacting the Box Office at 212-246-4422. The theater also offers student access tickets one hour prior to curtain to full time students and $30 under 30 tickets will be available in advance for patrons under 30 and for limited performances before October 19. (Valid ID required.) Find out more at www.2ST.com.
What: {my lingerie play} 2017: The Concert and Call to Arms. Story, Music, and Lyrics by Diana Oh
Where: Rattlestick Playwright’s Theatre
When: September 27-October 28

What drives an artist to stand in her black corset in Times Square on a soapbox? It began for Diana Oh at 17 with her first shoplifted f*ck me bra. Over the course of this unfiltered and soul-baring, performance art event, Diana Oh’s personal collection of unmentionables comes on and off as she and her band ignite the audience to create a saner, safer, more courageous world for us all.
World premiere {my lingerie play} is a play, a protest, a concert, and an installation all at once. Through this concert-play, Diana and her band explore mainstream culture’s relationship to the body and the deep and complex dynamics that exist regarding sex and gender politics. This culminates in a genre-bending soulful rock and R&B concert-play and final installation of {my lingerie play} 2017: 10 underground performance installations in lingerie (as supported by the Venturous Theater Fund of Tides Foundation for 2017) staged in an effort to provide a saner, safer, more courageous world for women, trans, queer, and non-binary humans to live in. Tickets range from $10-$30 (preview performances) and $40 general admission after October 13. Rattlestick is on the cutting edge of art and theatre. Explore www.rattlestick.org to purchase tickets and find out more.

 Portland, OR

What: Hand of God by Robert Askins
Where: Triangle Productions (The Sanctuary at Sandy Plaza)
When: NOW PLAYING through September 30
Nominated for 5 Tony Awards including Best Play for its Broadway production, Hand of God is a must see. If you missed this dark comedy in New York, don’t worry. Regional theatres across the country are jumping at the chance to produce it. The plot follows Jason who finds an outlet for his anxiety through the Christian puppet ministry in a conservative town in Texas, but when his puppet Tyrone takes on a shocking and dangerously irreverent personality of his own, Jason’s life is thrown into upheaval. Based on Triangle’s 27-year history and consistently positive reviews, expect a solid production of Hand of God in Portland. Presented in The Sanctuary at Sandy Plaza, Hand of God couldn’t be a better choice for this company that produces “rich stories told through diverse perspectives, particularly the gay perspective.” Audience members sit in church pews! A full bar and bistro with a limited dine in menu opens an hour and a half before show times and stays open after the show. The company’s website offers other nearby dining recommendations that range from Asian to American BBQ. There are two free parking lots and free parking on the street close to the theatre, a rare find in Portland. Tickets are still available from $15-$35 (no handling charge) and can be purchased online through the company website www.trianglepro.org

Richmond, VA

What: Cloud 9 by Caryl Churchill
Where: Richmond Triangle Players
When: September 27-October 3
Hailed as the best professional theatre in Richmond of any style or stripe, Richmond Triangle Players is taking a big bite out of the queer theatre anthology in its 25th season. If you took a modern theatre class in college, you’re probably already familiar with at least one play by the illusive, reclusive playwright Caryl Churchill who is known for evading questions about her plays preferring that each audience member decide for themselves what “it” (fill in the blank) means. Graduate students could write tomes on any one of her plays. Cloud 9, the surreal, gender-bending, ethnic cross-casting comment on feminism, colonialism, and gender identity was decades ahead of its time when it first premiered in the 80s, but the show still feels futuristic to today’s audiences. This theatre fare is less for those seeking a delightful theatrical diversion, but more for those who love provocation, to think and to discuss long after the final curtain goes down. Look to be challenged, enlightened, dumbfounded, and entranced. You’ll wake up the next morning still thinking about the ins and outs of this one. Look for a feature column on this exciting company in TravelPride next week. RTP’s 25th season is well-chosen, thought-provoking, joyous, and balanced with a little something for everyone (everyone except Granny Kate, that is). Go to www.rtriangle.org for more information and to purchase tickets in advance.

San Diego, CA

What: Homos, OR Everyone in America by Jordan Seavey
Where: Diversionary Theatre
When: NOW IN PREVIEWS, open September 23-October 15
Founded in 1986, Diversionary Theatre provides quality theatre for the LGBT community with a vision for amplifying the next generation of LGBT voices. By exploring stories of what sets our culture and history apart, as well as stories that focus on LGBT people’s humanity rather than their sexuality, Diversionary bridges the gaps of cultural understanding. Homos, Or Everyone in America a new play by Jordan Seavey follows a Brooklyn couple attempting to navigate the complexities of contemporary gay life together. Hopscotching back and forth over the timeline of their relationship, a sensual, hilarious and compelling story of their bond emerges. This brave, new play confronts the lingering dangers and interconnected values of our nation, and the way our future may be found through our past. Previews began September 15 with a September 23 opening. Look for a feature on this ground-breaking company, the 3rd oldest continuously producing LGBT theatre in the United States. Diversionary’s decades-long track record of collaboration and new work development has solidified the company’s status as a leading queer theatre- a must see if you’re in the San Diego area.

San Francisco, CA

What: The Legend of Pink by Kheven LaGrone
Where: Theatre Rhinoceros at the Gateway Theatre
When: NOW PLAYING through September 30
GLAAD Media Award Winner Theatre Rhinoceros now in its 40th season and the longest running queer theatre in the world presents the world premiere of a new play The Legend of Pink, a local story set in West Oakland. The time is the late Twentieth Century. Drug wars rage and the lovely African American transgender woman, Pink, does her best to bring a bit of beauty to the harsh environment. But people are watching Pink as she tries to form a connection with a beautiful young man, and they don’t like it.
All shows produced at the Gateway Theatre (formerly Eureka Theatre). Tickets are $20-$40. Call the 24-hour box office hotline at 1-800-838-3006 or link to Brown Paper Tickets. If you miss The Legend of Pink, find information about future shows at this leading queer theatre company at www.therhino.org.
What: Dash Improv: An hour of free-form comedy chaos
Where: Un-scripted Theater Company
When: Saturdays at 10 pm
If you don’t get your act together in time to catch The Legend of Pink at the Rhinocerous, drop by Un-Scripted Theater Company Saturdays at 10 PM and enjoy all the fast, funny, fearless hilarity the company can jam into an hour for an admission price of only $10. The fact that this show is offered weekly is testament to the company’s depth of talent and audience demand. Un-Scripted bills the weekly show as “a seamless, spontaneous, and continuously morphing spectacle of excitement and laughs.” www.un-scripted.com

Seattle, WA

What: Next Fall by Geoffrey Nauffts
Where: Fantastic.Z
When: September 29-October 14
Named last year by Playbill as one of “15 Regional Theatre Companies Leading the Charge in Gay Theatre,” may I introduce Fantastic.Z. An artist founded and run company presenting quality theatre focused through a queer lense, Fantastic.Z’s presence in the national queer theatre scene has been growing in recent years. With a commitment to producing new plays in the Puget Sound area, the company produces an annual New Works Festival of 10-minute plays and also seeks out new full-length plays to be considered for its mainstage season. Upcoming production Next Fall takes a witty and provocative look at faith, commitment, and unconditional love. This timely and compelling new play forces us all to examine what it means to “believe” and what it might cost us. Tickets available www.fantasticZ.org.
When you see any of the shows on our list, please share your thoughts about the experience and the welcome you received. Did we get it right or miss the mark? Do you have a favorite theatre company or performing arts group in your area? Tell us about them!

Originally posted 2017-09-19 14:35:02.

Entertainment

The Best LGBTQ+ Podcasts to Keep You Entertained While Travelling

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Unpopular Opinion: Travelling is hella boring.

Wait, don’t click away so fast. I don’t mean the actual being away- where you dip your feet in the Pacific Ocean or stroll across a piazza in Rome . I mean the physical act of travelling to a place, which can mean hours- and sometimes days- of waiting for your holiday to start.

Basically, the thrill of planes, trains, and automobiles was lost on me from a very early age making me a terrible choice for your Route 66 road trip (but thanks for asking).

Now, you’re probably wondering why I wouldn’t just enjoy the extra time with my travel companion. Well sometimes, especially if I’m travelling for work or to visit someone, I’m on my own. Occasionally, even if I have a kickass travel buddy, it’s hard to keep the enthusiasm up over a long period of time when you’re just waiting.

As a result, I turn to podcasts to keep me occupied; there are shorter pop culture ones to keep me alert while waiting for my flight in the early hours of the morning or longer fictional stories to keep me entertained on seven-hour coach rides.

Here are some of my personal recommendations for those of you who want some LGBTQ+ hosted podcasts to keep you busy during your next trip.

Looking for laughs: Nancy

Kathy Tu and Tobin Low; courtesy of New York Public Radio

With most podcasts coming in at around 30 minutes, this is the perfect peppy companion to keep you entertained (and most importantly, awake) while waiting at an airport gate before 6 am.

Best friends Kathy Tu and Tobin Low discuss issues affecting the LGBTQ community from sex-ed to politics to pop culture, while sharing their personal stories about being queer and Asian- and encouraging their guests and listeners to do the same.

Previous guests include “Master of None” star Lena Waithe, musician Rufus Wainright, and nonbinary actor Asia Kate Dillon.

Recommended Episode: There Are No Gay Wizards- It’s no secret that I’m a huge Harry Potter fan and this podcast explores the absolute queerness of the series…I mean Harry literally lived in a closet ya’ll.

Looking for debate: Umbrella

Hosts (clockwise from top left): Kate, Taylor, Dawson, Olivia, Glynn, Riley, Kayla, Layne.
Collage created by Emma Murphy; photos reproduced with permission from hosts.

If you’re looking for intelligent, informed debate to break up a train journey, then check out Umbrella. This monthly panel-style podcast brings together a diverse group of the LGBTQ+ community to discuss issues that impact upon our community.

Sometimes the subject matter is heavier, as in the case of their intersectionality show, but all of the podcasts are kept light by the interactions between the hosts.

Beware: You may find yourself interjecting your own opinion into the debate and the other people on the train may look at you strangely…

Recommended Episode: (106) LGBTQ+ Fandom – Canon, Non-Canon, Ships and All- For all fangirls and boys who want more representation in their fave media, this is the podcast for you. IMO Criminal Minds needs to feature some queer characters who are neither victims nor criminals.

Looking for a story: Alice Isn’t Dead

Actors Jasika Nicole and Joseph Fink. Credit: Nina Subin

Last month, I made a 14-hour return coach trip for my five-year uni reunion and I wanted something to keep me distracted enough that I wouldn’t have to use the bathroom (because ever since a horrible trip to Miami in 2011, I never use coach bathrooms).

That’s how I found the Alice Isn’t Dead Podcast, a serial fictional drama about a long-haul truck driver (played by Jasika Nicole) searching for her missing wife. Will she find her? What happened to her?

I am the worst person for accidentally blurting out spoilers- and I’ve listened to the entire podcast- so I won’t go into detail but oh my god, this is incredible. It kept me hooked from the beginning and when I met up with my friend at the end of my coach journey, I might have asked if I could just finish the episode before we started our catch up.

Recommended Episode: Part 1, Chapter 1- Omelet- As this is a fictional story, it’s best to begin at the beginning but don’t worry, the tension is high from the offset.

Looking for sassy politics: Throwing Shade

Via goo.gl/vFQZFp

 

If you’ve been sitting in the airport bar, staring at cable news on mute, and wishing it was socially acceptable to cuss out the Fox News hosts in public, then do me a favor; walk out of the bar, find somewhere to sit and play an episode of Throwing Shade.

Hosts Erin Gibson and Bryan Safi are not afraid to talk about the important issues facing the LGBTQ+ community and women in the 21st Century, with the exact right amount of sarcasm and skepticism. Honestly, it’s like listening to good friends calling out politicians, institutions, and the general public for failing to achieve justice for marginalized groups.

They may bill themselves as “a weekly podcast taking all the issues important to ladies and gays and treating them with much less respect than they deserve,” but they still do a much better job than certain politicians and journalists.

Recommended Episode: TS284: Dog Songs, FGM, Trump and LGBTQ issues- How does Donald Trump fair on a podcast called Throwing Shade? Not too well surprisingly, but it sure is fun to hear him being dragged through the mud.

Looking for music: Homoground

The Homoground Team. Photos taken by Moon Cloud.

Travelling is tiring and sometimes you just need to stick in your headphones and let the music take you away, but what if you could discover new music by LGBTQ+ artists at the same time?

That’s where Homoground comes in.

I listen to Homoground whenever I need a break from the outside world; whether that’s sitting on the floor of a bus station waiting to be picked up after a full day of travelling, leaning against the wall while waiting for my suitcase to appear on the luggage carousel, or when I just don’t want to hear the opinions of my fellow coach travelers.

Tune in, turn up, chill out.

Recommended Episode: #MIXTAPE126 – Gender is Over! If You Want It- If the gender police are getting you down, then play this punk-filled podcast loud and proud.

Originally posted 2017-08-23 11:24:30.

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Gay Relationship Timeline

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Friends, allies and other distinguished readers, there is an inherent truth to some particular types of relationships. Specifically, the idea that there will be confusion over the timeline in general and, in particular, the transitional period from being lovers to partners. Normally this would be the stuff of romcoms, but we all know how Hollywood can stuff it when it comes to understanding certain types of relationships.

And by “certain types”, it is “all of them.”

So as a public service, TravelPride will set out a timeline for how the transitional period ought to be mapped out. Keep in mind that every relationship is different, so these guidelines are meant to be taken with a grain of salt. Also, it should be understood that the marker for Day 1 is the day where there is the love confession and acceptance. With that in mind, here is the timeline:

  • Day 30: This the beginning stage of being a full-time lover, not a Stevie Wonder song. Do something nice on this day, like maybe go see a movie or take in a local baseball game/soccer match. During this time, look for some subtle hints from your boyfriend about the possibility of something that is more long-term. This sometimes comes in the form of the occasional staring off into the distance, as if he was doing method acting for an obscure indie film. Make note of it, in accordance with your own good judgment.
  • Day 60: At this point, the prospects of you two becoming partners should be considered as a possibility in the near future. If he wants to have a discussion about such a thing, do so in a way that ensures a more-or-less neutral disposition. This is not to say that you should be oblique; if there are issues, do not be afraid to speak your mind about them. Whatever conclusions are reached, keep them in mind as your relationship moves forward.
  • Day 90: If you believe it to be worthwhile, feel free to introduce your boyfriend to your family. Depending on the circumstances, this may require a certain kind of diplomatic language when it comes to your older relatives. Unless you have a drunk uncle (which all families have, to be honest), then all bets are off. And while TravelPride does not wish to support or even condone physical violence, sharp-witted insults are encouraged. Here are some links to a few collections in order to gel both of your imaginations.
  • Day 180: As you post the six months’ anniversary collage on Facebook, ask yourselves these questions: “Do I truly want a long-term commitment? Does he want to be seen as a partner instead of a boyfriend? And what coffee shop are we going to for breakfast on Saturday?” If your answers to the first two questions are Yes, then you should consider your boyfriend as a full-fledged partner and tell him as such. And while you’re at it, use Yelp to ask the third.
  • Day 365: At this point, he is a partner of yours. If you can, invite him to move into your place. If he accepts your proposition, it means that he has also acknowledged the maturation and progress of the relationship. Then again, the two of you will probably have to split the money spent on moving fees, because that ain’t cheap.
  • Day 730: For God’s sake, just go ahead and propose already! Unless you have serious reservations about the relationship, however. In that case, seek the advice of professional help as soon as reasonably possible. You can’t be too careful about this sort of thing.

Originally posted 2017-08-02 17:45:10.


Also published on Medium.

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For the Love of House Music

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House Music is uplifting, joyous, and free. Queer and like to dance? You will find a dance/music community in place no matter where you are in the world. Grooving to House Music is my thing. I enter the sanctuary of House to re-energize. It’s been that way since we were introduced in 1979. She’s carried me over some rough patches, times when I felt like I was losing the ground underneath my feet.  

House Has Carried Me Through

In 2005, while ‘‘Cool Cat’ my daddy was in the Burn Unit of Detroit Receiving hospital, I’d go to Agave on Sunday’s after visiting hours to build up my faith. Even though Cool Cat didn’t make it out of Receiving alive, I danced for him to be at peace and out of unimaginable pain experienced through a comatose state. He left the day after my 41st birthday.House music and vibing with community helped me to make it through.

My love affair with alcohol ended, I would carry two bottles of ice-water in my backpack to avoid losing my space by one of the speakers, wasting time to go to the bar. I didn’t want to miss a minute of dancing. Agave, never disappointed, I’d dance for Cool Cat while sending up prayers.   

Dance Away The Stress

House spells relief for many people after a hard week on the grind. People who love good music come out to dance their cares away. House is as freeing as it is healing. House is a connector of people. At any spot where House runs deep, you will find a mixed crowd. House Music pulls diverse crowds. You’ll find an eclectic mix of queer and str8, along with various races and ethnicities jamming together.  They will be vibing and getting high from the beats banging through the speakers and the poetry flowing from tracks.

House is for beating back the blues, through verse that grabs your spirit reminding you that you’re worthy. Finding self and self-love are frequent in the songs that dare you not to feel empowered and encouraged. House is also fluid.  When master mixologists house cuts use tribal beats and anything 1970s, I go on a spiritual journey.  

Sunday Tea Parties

One criticism I have of the Queer community is that we don’t hang out enough. Sunday Tea Parties were prevalent in the 1970s and in some places they’re making a comeback. Tea Parties worked because they were open and welcoming to the queer community and allies. In Detroit, Michigan from 2000-2006  as a member of Sistas Providing Intelligence and Creativity (S.P.I.C.E.), I helped throw some stellar afternoon events. Mimosas flowed and the food was good. In between eating, laughing, and catching up we gathered on the dance floor to throw down to House music.

Giving It All Up To The Feeling

An extensive list of Detroit deejays has held my heart since 9th grade.  Growing up with music pioneers. and being exposed to alternative music stores shaped my music tastes. It opened me up to the Worldwide House Movement. House music keeps this “Queer Diva”, moving to the beat. House is cool for a plethora of reasons. If you can keep the beat, you’re good. Go where the music takes you without fear of judgment. You don’t need a dance partner. I’m far from shy and when a good song comes up, I’m on the floor. House allows that. Dance by yourself, in the mirror or next to a speaker to take in more bass (if you’re like me), whatevs — do you. You can dance alone without worrying about someone inviting themselves into your personal space. You can feel the love of community when a dope song drops. If it’s a throwback song, House lovers make eye contact with knowing glances and head nods.  A complete blast.

House is happy it’s liberating and it’s needed in the world we live in. House Music makes things a little better.

 

Originally posted 2017-07-30 18:00:18.

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