*To honor the gender fluidity of Marsha P Johnson, I will be referring to them as they.
We study our history, so we know from where we came. To learn about the American Revolution, we study the Founding Fathers, Susan B. Anthony for Woman’s Right, Martin Luther King Junior for the Civil Rights Movement. We are taught those histories. However yet the media and even history books have glossed over the gay rights movement, the one that is still being fought today. Who are our leaders? Where are their stories?
Thanks to director David Frances we have one, The Death and Life of Marsha P. Johnson a documentary released last month on Netflix. It tells the story of Marsha P. Johnson, their life as a transgender person, their activism in the LGBT community, and their mysterious death.
Even as a member of the LGBT community, until this documentary I was unaware of whom Marsha P. Johnson was, this Rosa Parks of the LGBT community. Therefore I was very much a blank slate about what this movie was going to be about. But nothing could prepare me for how emotional, impactful, and eye-opening this movie was going to be. This is a movie that blends both the past and the present, showing those in the community how far we’ve come, and how much work we still need to do.
The documentary uses a mix of never-before-seen footage, rediscovered interviews, and modern times, creating both a mystery that needs to be solved and a wake-up call. This is especially seen in the opening of the film when we are shown a clip of people marching on the streets of New York , some waving rainbow flags, others holding signs, and others carrying a picture of a black, femme presenting woman, smiling. A Clark Kent type anchor man is heard in the voiceover, using the word “transvestite”, now an insensitive term, informing the viewer that it’s 1992 and Marsha P. Johnson is dead at 42 years old. Police say it’s a suicide.
But Johnson’s friends and members of the LGBT community believe that she was murdered.
This is not your typical documentary. Instead of a linear timeline or an autobiographical story of Johnson, we are given almost an LGBT detective story. An episode worthy of the show Cold Case, for sure. Our protagonist is Victoria Cruz, a transgender activist from the New York City Lesbian and Gay Anti-Violence Group and now amateur sleuth, about to retire, and her last case will be the 1992 murder of the beloved transgender icon.
While this is a movie about Johnson, we are given the personal backstory about not only Cruz and their personal history of assault, but other gay icons. For example, the movie goes into a side story about the LGBT activist Sylvia Rivera who co-founded STAR (Street Transvestite Action Revolutionaries) with Johnson which was a housing and support program for young trans women of color.
We are also introduced to so many other transgender community members that it almost became overwhelming. One of the drawbacks of this movie was that there wasn’t enough time for everything. The film is only an hour and 45 minutes long and it is so jam-packed with topics and issues and people that the viewer can be completely overwhelmed with both information and emotion. Personally, I feel that Sylvia Rivera could, and should, have their own documentary. Also, I would have been fine with the film being longer which is a rare critique, but with some much to cover, it needed time to slow down.
However, what it may lack in pacing is made up with impact. This film is a bucket of ice-cold water, waking up everyone in the LGBT community. Many people believe that the LGBT community has finally gained equality because they’ve won the right to get married. That’s it right? The war is over? But that is not the case for our trans members in our community who are still suffering today and often getting the brunt of anti-LGBT attacks.
Throughout the documentary we see trans women homeless, in prison, assaulted, and horribly murdered, with no one else to lean on but other LGBT community members who are also vulnerable. These trans women, many of them people of color, are ignored by society, even their fellow LGBT members. This is said best at the most powerful and poignant part of the movie. At the 2016 sentencing of a man who confessed to beating 21-year-old trans woman Islan Nettles to death in Harlem three years early. One activist standing outside of the courthouse goes on a rant about the “privileged gays” who once protested with the transgender people for equal rights and then promptly left them to fend for themselves once they won the right to gay marriage.
“It’s LGB T. It’s LGBT,” the activist cries. It’s painful because it’s true. Transgender and “drag queens” created the LGBT movement, they were the representation of the community. But who was there to represent them when they were being murdered and attacked? Who was there for Marsha P. Johnson?
Going back to the detective drama genre aspect, we go into theories to why Johnson was killed. There’s even with a theory that the mafia did it (Stonewall Inn being own by the Mafia at the time). Again, this movie has a lot of information, with not a lot of time, and at the end, we don’t get an answer. But what we do get are the stories told by POC Transgender woman and the smiling face of Marsha P. Johnson, and that is priceless.
As someone who came into this movie not knowing a lot about LGBT history, I was blown away. I learned so much from this movie. It opened my eyes to a lot of subculture and caste systems of the LGBT community of which I wasn’t aware. I loved the old footage they had of Marsha P. Johnson in drag singing (poorly), Cruz in her younger, model days, and other older, historical clips. I felt really emotional watching Cruz getting hung up on over and over again. It affected me in a lot of ways, even if it was overwhelming and confusing at some points. I recommend it to anyone wanting to learn about LGBT history.
Rating: 4 out of 5 Queens.
“The Death and Lift of Marsha P. Johnson” can be watched on Netflix
Originally posted 2017-11-17 17:41:28.
Film Review: Battle of the Sexes
With women and the LGBTQ community in hopeful anticipation of seeing ourselves and our history played out on the big screen, last weekend Twentieth Century Fox released “Battle of the Sexes” in theaters. I went last Saturday afternoon to see mainstream Hollywood’s take on the infamous 1973 tennis match between Billie Jean King and Bobby Riggs, and looked forward to connecting with the human stories behind one of the most infamous events in modern feminist history. While the artful production design and crackling performances from the actors give us a lot to be proud of, this is not a film I can recommend, and the mis-steps found in the well-intentioned script lie at the heart of the problem.
On September 5, 1995 First Lady Hillary Clinton stood at the podium at the United Nations Fourth World Conference on Women in Beijing and declared “women’s rights are human rights, and human rights are women’s rights.” Last week, UN Ambassador Nikki Haley voted against a resolution condemning the discriminatory use of the death penalty for LGBTQ people. Despite the Trump administration’s weak clarifications in an attempt at damage control, the fact remains: the United States failed to stand up for LGBTQ people around the world. We were, and are, still fighting this battle of the sexes. Secretly, King fought a personal battle to guard the secret of her sexuality from almost everyone who knew her including her husband, family, and certainly the professional and public world of tennis.
Over 3 decades after Billie Jean King, a married world-famous female tennis champion, was outed as a lesbian in a lawsuit brought by her former girlfriend and 42 years after her ground-breaking leadership on the issue of equal pay for women in the world of sports, women and LGBTQ people are still fighting for justice in the workplace and equal rights. The importance of knowing our stories, of telling them, and making sure they are remembered cannot be understated.
This film reminded me that the world knew King as a straight woman in 1973. We didn’t have “gay stars” back then. We had male stars and female stars. To come out was to risk everything. We know Billie Jean King as she is today, a lesbian icon of rights for women and LGBTQ people who did “something or other” back in the 70s, but most of us know the story in basic terms at best. The basic plot points are easily accessible with a few clicks these days. What a film, or any good storytelling, should do is to connect us to the human beings who lived out these plot points. What are their moments of personal challenge, failure, or triumph? We can go back and watch the old clips if we want to know exactly, in perfect historical terms, what happened. A great film explores these questions but goes beyond that to connect audiences to their imaginations, to evoke empathy and inspiration.
“Battle of the Sexes” is somewhat successful as a historical account, but it falls far short of that mission at times giving us stereotypes and filler instead of character, conflict, and substance. First, who are the other women, including one woman of color, who joined Billie Jean in the walk out to form the Women’s Tennis Association, the first league of its kind? In this film, with the exception of Margaret Court the homophobic Australian player who beat King to win the first WTA tournament, the other athletes are cardboard cut-outs “Woman 1, 2, & 3,” their dialogue strung together with tired feminist slogans and lines that are fraught with stereotypical language. In “Battle of the Sexes,” they are exactly the empty-headed pretty faces that men at the time expected them to be. Depictions of women like this make it easier for men to discount us as second class citizens. In one particularly embarrassing scene, the women squeal and jump up and down when they find out they’ll have a hairdresser on the tour. If the women were fleshed out in the screenplay as individuals with depth and varied personalities, goals, and interests, scenes like this one are less hard to watch. These heroes of feminism in their own right, the sisters who stood with King and risked their careers for the cause of female equality, deserve a lot better. (Read more about 1996 inductee to the International Tennis Hall of Fame Rosie “Rosebud” Casals portrayed memorably by Natalie Morales.)
My next question is; are we supposed to be grateful? Are we supposed to be grateful to see the Hollywood mainstream pull off a tender and believable same sex love scene? The script by Simon Beaufoy does not explore or even hint at the core of who these two people are and the possible consequences of what was happening between them, so how could I? We see two women locking eyes for the first time, their growing attraction to one another. We see their first kiss. And the actors are giving it their all. The direction shows sensitivity and injects romance as well as intimacy, but it’s the sum of what we have to go on to understand the characters and the risks being taken, so the potential impact misses the mark. Though admirably and warmly portrayed by Andrea Riseborough, the character of King’s girlfriend Marilyn Barrett is poorly developed, similar to the way female love interests are often portrayed in a film with a male lead. Having failed to set up the dangerous personal stakes Billie Jean was facing to risk having a same sex relationship at this time in history, the scenes about her relationship with hairdresser Marilyn Barrett fall short.
Understanding the risks and consequences experienced by real people at that time would have injected suspense and drama into the subplot. You have to watch very closely to catch onto the point that Billie Jean is actually married to a man at this time. It’s glossed over. We don’t know the character of Billie Jean at all beyond her star athlete persona when the movie starts, and we only know slightly more by the end credits.
Beyond the extremely well done costumes and production design, there’s no context given that pulls us into the sexually repressed, misogynist world of the early 1970s. And if, as a filmmaker, you don’t take us to the oppressive place where this story happens, you’ve lost us. Why? Because, in an “overcoming obstacles” story like this one, context is everything. We have to know where these characters are and exactly what they are up against before we can care about cheering them on.
The pivotal moment when an adolescent King first caught a passion to change things for women and minorities in tennis is only hinted at in passing. I realize this is not a miniseries, but give us more than that, please. She’s spoken about it in several interviews over the years when, at the age of 12, she looked around and thought “Where is everybody else? Where are the people of color?” She wanted to shine a light on the elitism in the world of tennis. She “made herself a promise,” she said, “to do something about it.” That’s dynamite, dramatic substance, and it really happened. It gives us insight into the heart of this iconic leader. This point along with so much more, Billie Jean’s straight life, her relationship with her parents and husband, is merely a footnote in this film.
Emma Stone uses everything she’s given to snatch victory from the jaws of defeat on this one, and I can see her struggling as an actor against the the script, to bring us into Billie Jean’s inner life and heart. Without her strong performance of this sub-par screenplay, along with a few others like Steve Carell, Sarah Silverman, and Alan Cumming who give nuanced and emotional portrayals, the film is completely unwatchable. Cumming’s final scene in the film is particularly moving, and Beaufoy gives Carell much more to work with. We see Riggs interacting with others in his personal life in a variety of well-written and artfully directed scenes. We’re told nothing about Billie Jean’s husband Larry King. Like Marilyn, Rosie, and the other women athletes, he’s presented as a flat stereotype. Carell’s scenes with his wife (played by Oscar Winner Elisabeth Shue) portray the struggling, strained relationship in the aging tennis player’s marriage. In many ways, the film makes us care more about his struggles and triumphs than Billie Jean’s. Ironic, right?
Women and the LGBTQ community still need allies. Many people do not understand our cause; some are apathetic, or are outright enemies of our equality. So more than anything, this film misses the chance to have a huge impact on our culture to affect changes we would all love to see in our lifetimes.
Overall, I felt delightfully hopeful about seeing this movie. I wanted to marvel at its ground-breaking courage and applaud its relevance in giving us historical context to understand the heroes who laid so many foundations for the rest of us. We’re winning the battle, but we still have a lot of people in this country who could become vocal allies if they can be somehow swayed by emotional and personal connection, which is what we’re supposed to have as audience members. Hampered by writing, directing or both; “Battle of the Sexes” is a stellar film they didn’t make.
We highly recommend you read more about the fascinating personalities surrounding this historic time in women’s sports. To find out more about Billie Jean King and her work as an activist, look for the 2006 Peabody Award winning HBO documentary “Billie Jean King: Portrait of a Pioneer.” What did you think of “Battle of the Sexes?” Let us know in the comments below!
Originally posted 2017-10-07 18:33:21.
5 Best Educational YouTubers for LGBTQ+ people
Students are heading back to school, but why should young people be the only ones getting educated? With that in mind, here are my top five educational YouTubers for LGBTQ+ people, no matter your age.
Best for LGBTQ+ information: Ash Hardell
Everyone has questions about being LGBTQ+, even those within the community, and it can sometimes be hard to know how to get honest, reliable answers. Luckily Ash, who is genderqueer and pronoun indifferent, has answered a lot of the most burning questions for you.
Whether you’re interested in learning about a sexuality or gender identity other than your own (I had some questions about asexuality which I felt inappropriate to ask the asexuals that I knew in real life) or you’re still figuring out how you identify or you want to know how to be a better ally to your fellow queer people, they probably have a video for you.
Best for LGBTQ+ History: Tyler Oakley
They say that to know where we have to go, we must know where we’ve been, which is why it’s important to learn about LGBTQ+ history and celebrate it. Too much of history erases the contributions of LGBTQ+ people and it’s time to put an end to it.
Tyler is in the middle of a series where he talks about the trailblazing LGBTQ+ activists who inspire him; making sure to amplify POC to avoid whitewashing our history and combat the vilification of their voices.
Best for Sex Ed: Sexplanations
I think most people would agree that their sex ed classes in school left a lot to be desired; using hetero-normative and cis-normative language, teaching abstinence-only, not teaching you about contraception for sexual acts other than penis in vagina sex.
Now when I began this piece I wanted to include all LGBTQ+ YouTubers but I ran into a slight problem with the sex ed section because gay men would talk about sex ed for MSM, lesbians would talk about WSW, trans people would talk about sex for trans people etc etc. However, I wanted someone who would address all facets of sex ed, so that no matter your sexuality or gender identity, you could become educated too.
Dr Lindsey Doe is a clinical sexologist who not only covers sexual health but also how to perform certain sex acts (giving a blowjob, cunnilingus, and eating ass) using inanimate objects to demonstrate. She also does her best to avoid problematic language- like associating penis with male and vagina with female- or shaming people for their sexual desires.
A strong advocate for consent, completely non-judgmental about sexual acts, and willing to answer your questions. She’s the sex ed teacher that I wish I’d had.
Best for Politics: Riley J Dennis
Riley, whom you may recognize from my podcast recommendations piece, vlogs regularly on trending politics and social justice issues, such as Drumpf’s firing of Comey, the Nazi riots in Charlottesville, and DACA.
She also breaks down complicated topics that rarely make it into the news cycle (like civil asset forfeiture and queer coding) into easily understandable segments without making you feel dumb, so if you think you could benefit from a more in-depth knowledge of the political issue de jour, then check out Riley’s channel.
Best for Mental Health: MarinaShutUp
I don’t think it’s a secret that LGBTQ+ people have a higher rate of mental health problems than the general population (one of the unfortunate by-products of discrimination) so we should be honest about our issues and unafraid to voice them.
Marina, a queer woman of color, is very open about her struggles with mental health problems (like negative body image, depression, and social anxiety) as well as providing practical tips for self-care (look after yourself folks!). She’s honest about her own struggles, her mistakes, and her journey, which makes those watching feel less alone with their mental health issues.
So what did you think of these YouTubers? Who is your favorite on this list? Who do you wish I’d included? Let me know in the comments below.
Originally posted 2017-09-20 14:18:00.
LGBTQ Fashion Revolutionaries: Steal Their Looks, Steal Their IDGAF Attitudes
Hearing that a member of the fashion world is also a member of the LGBTQ+ community comes as no surprise – after all, the point of fashion is to bend the rules, be anything but normal, and to accept the extraordinary. It is fashion’s job to shake things up, so it’s no wonder that queer people are the movers and shakers at the helm of this industry.
We’re showcasing the best of the best in queer fashion – those who have broken the mold, stepped outside their comfort zones, and dominated the mainstream.
Known as the “beloved bad boy of fashion,” Alexander McQueen was openly gay, extremely extra, and didn’t care to follow the rules – in fact, one might say he lived to break them. Coming from London ’s East End Givenchy house and moving on to his own label, McQueen was essentially the Mick Jagger of fashion. Known for shaking up the conservative label, McQueen sparked outrage when he moved to the French couture house, following John Galliano as Chief Designer. Once he had his own label, McQueen continued to push boundaries – even liberal ones. His shows were often controversial, and he was famous for creating “bumster” trousers, which essentially displayed a model’s butt cleavage, for lack of a better term. The bumsters were supposed to be a parody of construction workers, an interesting attitude toward class structure. McQueen often drew inspiration from tragedies, obscene events, and people who you would not see at any of his fashion shows.
One of the most memorable traits of McQueen was his I-don’t-give-a-f*ck attitude. Karl Lagerfeld of Chanel said of the late McQueen, “he was always interesting, never banal” – high compliments from another gay fashion rebel whose cat has its own Wikipedia page.
An Australian trans model who has referred to herself as “living between genders,” Andreja Pejić is known as the “first completely androgynous trans model.” Starting her career as a male model photographed for Paris Vogue in womenswear, an idea brought forth by yet another fashion phenom, Carine Roitfeld, Pejić is not only taking the modeling world by storm, she’s also venturing into film and walking in the Prabal Gurung show at New York Fashion Week this year.
Pejić has noted that gender dysphoria is not easy to live with, and is an outspoken role model for trans youth around the world.
Honestly, do we even need to elaborate on Tim Gunn? Okay, we will, because he’s worth it – the Project Runway mentor is really everyone’s mentor, isn’t he? He’s like the impeccably dressed, kind-hearted, gay dad you never had but always knew you wanted.
Gunn had his beginnings, as many of us now know, as a high school teacher. He taught a design course at Corcoran School of Art in Washington D.C. and from there, went on to eventually teaching at Parsons and becoming an associate dean. Even before Gunn became a teacher, he had to overcome a debilitating stutter and admits that there were quite a few points in his life where he didn’t feel like he could “make it work” – but he did regardless. Gunn is a true inspiration.
Cara Delevingne is one of the hottest models – and now-actresses – in Hollywood now. A stint as Enchantress in Suicide Squad and as Margo in Paper Towns has turned her into a bona fide movie star. Her career is on fire, but don’t ask her about her sexuality, unless you want to get a clap back. The blunt star has said, in regards to her bisexuality: “My sexuality is not a phase…I am who I am. I think that being in love with my girlfriend is a big part of why I’m feeling so happy with who I am these days.” We’re happy for her, and can’t wait to see what she does next.
Alexander Wang is an openly gay designer with a following- the likes of Rihanna, Chloe Sevigny, Azealia Banks, Gisele Bundchen, Nicki Minaj, and Lady Gaga, to name but a few. While recently making headlines as being oblivious to fans and viewers at his New York Fashion Week 2017 show, Wang is nonetheless an incredible fashion force to be reckoned with. The former Creative Director of Balenciaga, Wang has since gone on to start his own line and collaborate with H&M.
While some of the aforementioned icons are just beginning their careers, some are right in the middle, and some have tragically had their lives cut short, none seem to be without controversy (except for maybe our angel baby Tim Gunn). Whether good or bad, these revolutionaries have changed the fashion industry; time will tell what their ultimate thumbprint on the runway will be.
Originally posted 2017-09-18 16:54:51.
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